<p>The Eureka City Cemetery , located west of Eureka, Utah, United States, was established at its current location in 1894 and was listed on the National Register of Historic Places  in 1979.</p><br>
<h2>Description</h2><br>
<p>The cemetery&#39;s NRHP nomination write-up notes that cemeteries are not usually listed on the NRHP, but asserts that, as an exception, "the Eureka Cemetery represents an integral part of.the Tintic Mining District. Its contents provide insights into the types of people, cultures and social organisations thatinhabited the area. Grave stones reveal nationality, as well as various cultural symbolisms which reflect values, dates of death also aid in identifying periods of disease and misfortune. In addition, various fraternal organizations have separate plots which aid in understanding their role as, in part, seeing to a decent burial for their members."</p><br>
<p>It is located to the west of Eureka, off USA Route 6.</p><br>
<p>The Fitch Cemetery, located west of Eureka, Utah, United States, was established in 1920 and was listed on the National Register of Historic Places in 1979.</p><br>
<h2>Description</h2><br>
<p>The cemetery is a private cemetery, which is not typically eligible for National Register listing. But the 1977 nomination asserts that "the Fitch burial area represents a most unique factor in U. S. mining history; namely, the fact that an entrepreneurial family not only lived in the locale of their mine but also are buried there. In fact, in 1975 a member died in New York, and the remains were flown to Utah for interment at the family cemetery."</p><br>
<p>The cemetery includes a headstone for Walter Fitch (1854-1937) and Exilda Fitch (1857-1948).</p><br>
<p>It is located on just off USA Route 6, but is more easily accessed by heading north off Utah State Route 36.</p><br>
<p>The Richard and Mary Woodward Gregory House is a single-family home located at 913 East Augusta Road in Augusta, Michigan. It was listed on the National Register of Historic Places in 2002.</p><br>
<h2>History</h2><br>
<p>Richard D. Gregory arrived in Augusta in 1864. Shortly thereafter, he married a local schoolteacher, Mary C. Woodward. In 1865, the couple purchased the 120 acres on which this house is located from Seth Pratt. They constructed a house on the land some time around 1870; however, this was likely an earlier house and not the present one. The Gregorys farmed the land, adding more acreage in the 1870s. They also became involved in the local community, with Richard serving as a village trustee and highway commissioner and Mary a board member of the Augusta Ladies Library Association. The present house was likely built in about 1880.</p><br>
<p>Mary Gregory died in 1891; the couple had no children. Richard remarried the following year, to Mary Gott, whose family owned a neighboring farm. The couple had a daughter, Lillian, in 1894, but by 1900 Richard was living in the Kalamazoo Asylum. He died in 1903. In 1904, Mary remarried, to George Godde, and in 1906 Lillian Gregory had officially inherited the estate. Mary and George Godde continued farming, and had eight children. In 1924, George Godde died in a lightning strike. Mary continued farming; in 1931, Lillian, having married and moved, deeded the farm to Mary. Mary Godde died in 1947, and in 1949 the farm was sold to William Alonzo and Eugenie Ethel Sibole of Benton Harbor, Michigan. Eugenie died in 1954, and the farm was sold again.</p><br>
<h2>Description</h2><br>
<p>The Gregory House is a two-story, cross gable, nearly symmetrical Eastlake house. It is wood framed, and sits on a cut stone block foundation. The walls are covered with wooden weatherboard, with trim outlining the windows. Five-sided bay windows are centered on the side facades. Other windows in the house are one-over-one double-hung units with double rows of saw-tooth trim just above. Some second floor windows are paired, with gabled caps of classical decoration. Some of the single windows on the porches and on the second floor have flat classical caps. The front facade, facing the road, has a central chimney. A -story gabled wing projects to the rear.</p><br>
<p>The house has four matching porches with cutwork trim, which give the house a distinctive appearance. The porches are identical, and are located in the four angles formed by the intersection of the wings. The porches have low-pitched hipped roofs supported by corner brackets on square chamfered-edge columns. Between supports is a turned spindle balustrade. Other decorative elements include pinwheel patterns on the gables and sawtooth trim on gables edges.</p><br>
<p>The Foote Clinic is a historic two-story building in Hastings, Nebraska, United States. It was built in 1923-1924 for Dr. Eugene C. Foote, a physician who specialized in the treatment of the eye, the ear, the nose and the throat. Foote retired in 1968, and his sons and grandsons practised medicine in the same building; they were also specialists of the eye, the ear, the nose and the throat.</p><br>
<p>The St. Mary&#39;s Academy Historic District is a religious building complex located at 610 W. Elm Avenue in Monroe, Michigan. It was listed on the National Register of Historic Places in 2019.</p><br>
<h2>History</h2><br>
<p>In 1845, Sisters Theresa Renauld, Theresa Maxis and Ann Shaaf moved to Monroe to found the Sisters, Servants of the Immaculate Heart of Mary. In 1846, the opened St. Mary Academy as a boarding school for girls, then located at the corner of Monroe and Elm. At first, the school grew slowly, but the pace quickened in the 1870s, prompting the construction of a new building in 1881. By 1904, a second building was needed; this was constructed at the current site of St. Mary Catholic Central High School. This building was destroyed by fire in 1929. A third building, the present one, was constructed in 1932 on the site of the SSIHM Motherhouse.</p><br>
<p>In 1945, an all-boys school, Monroe Catholic Central, was established at the previous site of the St. Mary Academy. By the 1970s, however, both St. Mary Academy and Monroe Catholic Central were faced with declining enrollment. In 1986, the two schools merged, moving into the Monroe Catholic Central facility to form St. Mary Catholic Central High School. The former St. Mary Academy building was vacated.</p><br>
<h2>Description</h2><br>
<p>The St. Mary Academy building was designed by the Indianapolis architectural firm of D.A. Bohlen & Son. The building is Gothic in style, made of soft-tone variegated brick with stone trim. It consists of a central tower with five-story wings radiating outward.</p><br>
<p>The James Gurden Fitch House, at 311 McCutcheon Ave. in Socorro, New Mexico, was built around 1893. It was listed on the National Register of Historic Places in 1991.</p><br>
<p>It was deemed significant as follows:Architecturally, the Fitch house is an example of the brick dwellings which were built on and near McCutcheon Avenue in the 1880s and early 1890s using new materials and styles brought by the railroad and reflecting the prosperity of Socorros mining boom. The Neo-Classical porch columns added by the original owner are an unusual touch for Socorro and perhaps derive from the Classical influence that followed the Columbian Exposition of 1893. Historically it is significant as the home of James Gurden Fitch, one of Socorros leading professional men of the late nineteenth and early twentieth centuries."</p><br>
<p>The Oshtemo Town Hall is a governmental building located at 10 South Eighth Street in Oshtemo Charter Township, Michigan. It was listed on the National Register of Historic Places in 2004.</p><br>
<h2>History</h2><br>
<p>European settlers first came to Oshtemo Charter Township in 1830. The township itself was organized in 1839, with the first township meeting taking place in a church that year. The area was primarily agricultural, and population grew slowly. By 1870, there were about 2000 people in the township, a figure which was not substantially increased until after World War II. In 1877, the township purchased a half-acre of land near the geographic center, and constructed this town hall to house its governmental operations. The hall also served as a community gathering place, hosting local activities such as Sunday school classes, theatrical productions, and community dances. The township used the hall until 1968, when a replacement building was erected.</p><br>
<h2>Description</h2><br>
<p>The Oshtemo Town Hall is a rectangular wood building measuring twenty-four feet wide by forty feet deep. The building is clad with white-painted Dutch lap siding and sits on a rubble stone foundation. It has a front-gabled roof of moderately steep pitch. The front of the building holds a central door covered with a shed-roof overhang and flanked by a pair of nine over nine double-hung, wood sash windows, measuring about eight feet tall and two and one-half feet wide. Each side wall contains three identical windows spaced equally along the wall. Two additional fixed six-paned sash windows are located about four feet above the foundation on one side.</p><br>
<p>The Fanckboner-Nichols Farmstead is a farmhouse and associated buildings located at 5992 West VW Avenue in Prairie Ronde Township, Michigan. It was listed on the National Register of Historic Places in 2007.</p><br>
<h2>History</h2><br>
<p>European settlers first arrived in Prairie Ronde Township in 1828. In 1837, William and Elizabeth Crose Fanckboner moved to Prairie Ronde from Warren County, New Jersey along with their five children, following Elizabeth&#39;s father and brother, who had settled nearby earlier in the 1830s. In 1838, the Fanckboners purchased the farmland where this house is now located. They likely constructed a small temporary house, then built what is now the front section of the existing farmhouse in about 1840. The Fanckboners lived and raised their children, including two born in Michigan, in this house for decades. The house itself was expanded twice during the nineteenth century.</p><br>
<p>The Fanckboner&#39;s daughter Libbie eventually married a neighbor, Leroy Nichols, in 1875. After William and Elizabeth Fanckboner died (in 1881 and 1888), Libbie and Leroy Nichols bought out the other heirs to the farm and managed the acreage. Libbie died in 1905, but Leroy continued to live at the farm with his children. In the early 1900s, he had the present large barn built, along with a number of other outbuildings.</p><br>
<p>Leroy Nichols married Emma Kellogg in 1912, and the couple lived on the farm until 1924. They then moved into Schoolcraft village and rented out the farm. In 1938, Leroy and Libbie&#39;s son Harold and his wife Lillian moved onto the farm. They farmed until the 1950s, then rented out acreage to other farmers. Harold and Lillian lived there until their deaths in 1989 and 2003. The farm was passed on to their children.</p><br>
<h2>Description</h2><br>
<p>The Fanckboner-Nichols Farmstead consists of approximately three acres, which contains a farmhouse, barn, Workshop/Woodshed, and grain bin, along with trees, a large yard, and a cistern. The farmhouse as originally built was a small Greek Revival I-house with a low second story. The exterior is clad with clapboarded with plain cornerboards, and a broad frieze with classical cornices with returns runs along the top. The front has a center entry flanked with square-head double-hung windows. On the front, two small horizontal "eyebrow" penetrate the frieze. Small double-hung windows are located in the gables. Nineteenth century additions of a gabled section and a lean-to have expanded the houses&#39;s footprint in the rear. Another bedroom wing was also added in the early 1900s. A Victorian, hipped roof front porch with turned columns was added in the early 1900s, replacing an original Greek Revival style porch.</p><br>
<p>The workshop/woodshed, dating from the early 1900s, is located near the house. It is a long, narrow, gable-roof, one-story structure clad in horizontal wood siding. The barn, also dating from the early 1900s, is a rectangular, gambrel-roof building on a low concrete foundation clad in its original vertical boarding. The grain bin, dating from about 1950, is a cylindrical metal bin with a conical roof, located near the barn.</p><br>
<p>Antelope Grocery is a historic mixed-use building in Lincoln, Nebraska. It was built in 1922 for Roy B. Palin and his wife Julia, with a grocery store on the first floor and residential apartments on the second floor. It was designed in the Tudor Revival style by the architectural firm Fiske & Meginnis. It has been listed on the National Register of Historic Places since March 17, 1988.</p><br>
<p>The Colfax County Courthouse is a historic four-story building in Schuyler, Nebraska, and the courthouse for Colfax County, Nebraska. When it was built by R. O. Stake in 1921–1922, it replaced the 1871-72 courthouse. The new courthouse designed in the Renaissance Revival style by German-born architect George A. Berlinghof. The cornerstone was laid in a Masonic ritual. The building has been listed on the National Register of Historic Places since September 3, 1981.</p><br>
<p>The Schuyler Carnegie Library was a historic building in Schuyler, Nebraska. It was built as a Carnegie library by P.H. Wind & Sons in 1911, and designed in the Tudor Revival style by the architectural firm Fisher & Lawrie. It was a library until 1975, and it housed the Schuyler / Colfax County Historical Society Museum from 1977 to 1998. It has been listed on the National Register of Historic Places since November 29, 2001.</p><br>
<p>The Abenicio Salazar Historic District, on Camino del Pueblo  in Bernalillo, New Mexico, was listed on the National Register of Historic Places in 1980. The listing included 13 contributing buildings on 9 acre.</p><br>
<p>It includes the Our Lady of Sorrows High School, a two-story building built in 1922 by local builder Abenicio Salazar (1857-1941). Abenicio Salazar "built the larqest adobe buildings in the Bernalillo area including this building. He built the flour mill, a fire wall for the lumber mill, the coal mining town of Hagan, and a number of houses", but the school is the only large one surviving in good condition.</p><br>
<p>It is across the street from NRHP-listed Our Lady of Sorrows Church.</p><br>
<p>The Atascadero Printery is a historic building in Atascadero, California. Built in 1915 to house a printing company, it later was home to a junior college, a prep school, a Masonic Temple, a school district office, a sheriff&#39;s substation, a live-in studio for a photographer, a karate studio, a commercial business, and community events. In 2017, the building, in a state of disrepair, was put up for public auction and purchased for $300,000 by the non-profit Atascadero Printery Foundation, which plans to restore and remodel it as a community center.</p><br>
<h2>History</h2><br>
<p>The founder of the city, Edward Gardner Lewis (a publisher by trade), built the edifice in 1915 for the printing of his magazines and periodicals. Sources vary on the dimensions of the building, ranging from 16,000 ft&sup2; to 19,354 ft&sup2;. In 1916, 100,000 copies of the Atascadero News were printed here. At the time, Lewis had several magazines in circulation targeted to women, as well as a national daily newspaper. For a period, the San Francisco Chronicle Sunday circular was also printed in the building. Some sources cite that the building housed the first and largest rotogravure printing press in the United States, while others say it was at least the first in the Western United States. During the printing house era, nearly one million copies of print media were published in the printery, making it "the largest and most prolific operation in America".</p><br>
<p>The printing company closed in the late 1920s and the building housed two prep schools before being purchased by the Masonic Temple Association in the 1950s. Around 1994, the Masons donated 99% of the building to the City of Atascadero with the hopes of it being renovated into a youth center, and a later condition that if it were not, ownership would revert to the Masons. The city decided it was more cost-effective to build a community center rather than retrofit an older building to make it earthquake-safe, but wanted to hold on to the ownership of the former printery. The 2003 San Simeon Earthquake heavily damaged the building, preventing its use by the public; it was deemed in 2017 to require $9 million in restoration.</p><br>
<h2>Nonprofit foundation ownership</h2><br>
<p>A nonprofit foundation was started in 2015 to save the building from disrepair and to gain possession of it from an LLC of local citizen Kelly Gearhart, recently convicted of fraud. Gearhart had plans to turn the building into an events center that would be used by the public at least four times a year to comply with the Masons agreement with the city government. These plans were delayed by the legal issues Gearhart was involved in, yet prevented the city from entering the premises with Gearharts assets being taken into bankruptcy. The building was scheduled for public auction in May 2016 with a $1 million lien and $400,000 in back taxes. In 2017, it was revealed that the purchase would require $283,000 from the newly formed nonprofit, the Atascadero Printery Foundation, and that they had raised around $40,000. The foundation then began direct negotiations with the United States Attorney&#39;s Office to see if a deal could be made to release the lien.</p><br>
<p>In 2017, the property ended up in an online public auction along with the other Gearhart properties. The Atascadero Printery Foundation won the bid at just over $300,000, with $60,000 coming from donations and the remaining monies from an anonymous donor as a loan. The group plans to remodel the grounds for a "multipurpose, community facility" including a community theater, after-school arts programs, senior citizens&#39; club, museum, and more.</p><br>
<p>As of 2018, the foundation was seeking $8 million to complete restorations and remodels for the building to fulfill the vision of becoming a community center, and had planned many fundraising events to work toward this goal.</p><br>
<h2>Historic status</h2><br>
<p>The building was nominated in 2000 and secured historic status on the National Register of Historic Places in 2004.</p><br>
<p>The Patrick and Sarah Dobbins Shields House is a single-family home located at 6681 North 2nd Street in Alamo, Michigan. It was listed on the National Register of Historic Places in 2007. The house is a relatively rare example of a rural Queen Anne made with patterned masonry, and is one of the few remnants of the former hamlet of Williams.</p><br>
<h2>History</h2><br>
<p>In 1870, what was then known as the Kalamazoo and South Haven Railroad constructed a line through this area, passing through what was then the hamlet of Williams. The line was leased to the Michigan Central Railroad in 1871, and the easy access to transportation spurred a small agricultural and industrial boom in the area. The soil of the surrounding area was a sand and clay mixture, and by 1885 there was a brick-making factory located in Williams, which was soon joined by a mill and charcoal factory, as well as two other, independent brick-making businesses.</p><br>
<p>One of the brick-makers was Patrick Shields, who arrived in Williams in 1890 and purchased a factory near the railroad, just north of where this house now stands. Shields had previously worked in a brickyard in nearby Kendall, Michigan, another hamlet along the railroad. Shields&#39;s brick-making business was a success, and in 1900 he constructed a large brick home for his family near the brickyard. The Shields had a large family, and also used space in the house as a gathering place for community event. However, 1900 was the high point for the community of Williams, which reached a population of 125 and began declining soon after. The other two brickyards had closed by 1901, and the Shields brickyard lasted only until about 1910. Patrick Shields died in 1913, but his family continued to live in the house until the late 1930s or early 1940s, when new owners moved in.</p><br>
<h2>Description</h2><br>
<p>The Patrick and Sarah Shields House is a large, three-story, red brick Queen Anne house, with a footprint defined by overlapping rectangles. The main section of the house contains three steeply-pitched roofs sections: a large, hipped central section with two lower gabled portions which intersect. A large wrap-around porch runs across the front of the house and encircles about half of the main floor; a second, smaller porch is in the rear. The brickwork is laid in stretcher courses through most of the house. At the top of doors and windows, bricks are laid in decorative patterns to form hoods. More decorative brickwork is located under the second story eaves.</p><br>
<p>The house has six exterior doorways, some opening onto the porch. The first and second story windows are one-over-one wood sash and frame unit with stone sills. The third floor windows, located in the gable ends, have been replaced. The gable ends are clad with fishscale shingling.</p><br>
<p>The Roosevelt School in Bernalillo, New Mexico was begun as a Federal Emergency Relief Administration project in 1935 and completed as a Works Progress Administration project in 1936. It was listed on the National Register of Historic Places in 1996.</p><br>
<p>It is a one-story "Spanish-Pueblo Revival Style building" built with reinforced concrete structure. Its walls are adobe brick covered by a cream-colored stucco. It has a continuous parapet with projecting vigas.</p><br>
<p>Estate La Reine, near Christiansted on Saint Croix in the USA Virgin Islands, dates from around 1750. It was listed on the National Register of Historic Places in 1980. The listing included three contributing buildings, two contributing structures, and a contributing site.</p><br>
<p>Its great house is unusual among those of St. Croix estates for having an architect, William Wilkins, associated with an expansion or renovation.</p><br>
<p>It also was known as The Queen.</p><br>
<p>Its 1980 NRHP nomination states: "One of about ten Cruzan plantations occupied continuously since its foundation, the estate, a great house, servants quarters, animal pens, the remains of a slave village and the scattered ruins of what was once thriving sugar industry, is situated along the outer periphery of a shallow bowl extending from the valley below. Now overgrown with brush, La Reine nonetheless preserves much of its earlier appearance, particularly in the form of its great house and subsidiary buildings to the west, all of which have been carefully maintained by the estate&#39;s successive owners. The original wind mill, factory, animal pens and slave quarters are less well preserved, but still provide an indication of their former extent and function."</p><br>
<p>It is located right in the middle of the island, about one-third of a mile north of Center Line Road.</p><br>
<p>Roberts Clinic, a historic Colonial Revival building completed in 1937, was the first medical facility in Austin, Texas established to provide hospital rooms and care exclusively for the comfort of American Black patients. The practice offered treatment for acute and chronic illnesses, preventive treatment, minor surgeries, labor, delivery, and abortion services through the 1960s.</p><br>
<h2>History</h2><br>
<p>The hospital was conceived by Dr. Edward L. Roberts and constructed by architect John R. Bingham in response to the Koch and Fowler city plan, which in 1928 proposed a redlined district for marginalized minorities. Robertson Hill District allotted a community where the American Black population of Austin could access schools, and medical services. The clinic closed following the death of Dr. Edward L. Roberts in 1967; the hospital was later transformed into a halfway-house for recovering addicts.</p><br>
<p>Roberts Clinic, opened in 1937 by Dr. Edward L. Roberts, was the first medical facility in Austin with hospital rooms open exclusively for the treatment of American Black patients. In the Jim Crow era, racial discrimination and segregation affected the quality of medical care American Blacks received in public healthcare facilities while American Black physicians were professionally subordinated by white doctors. Proprietary clinics, like Roberts Clinic, that operated across the South from the 1930s-1950s provided American Black doctors professional autonomy to practice on patients who were treated without the humiliation of segregationist policies. As hospitals integrated in the 1950s and 1960s, these independent facilities closed.</p><br>
<p>Roberts, a Meharry Medical College graduate, opened Roberts Clinic in a Central East Austin residential neighborhood in 1937. The two-story Colonial Revival building had a medical facility on the first floor, and the Roberts Family lived on the second floor. Until 1967, Dr. Roberts administered treatment for preventative, acute, and chronic illnesses; performed minor surgeries; and offered labor and delivery services for the city&#39;s American Black community. Roberts Clinic is listed in the National Register of Historic Places under Criterion A for Ethnic Heritage: American Black and Health/Medicine as an excellent local example of small proprietary medical clinics built by American Black physicians during the period of segregated medical practices in the United States. It is the only remaining example of this property type extant in Austin, Texas.</p><br>
<h2>Architecture</h2><br>
<p>Roberts Clinic was built approximately one mile from the Texas State Capitol.</p><br>
<h3>Exterior</h3><br>
<p>The 2-story brick structure has a projecting full-height centered gable, Georgian variants, and a white stucco portico that highlights the entrance. The secondary entrance is a glazed panel door with a mail slot.</p><br>
<h3>Interior</h3><br>
<p>Historically, the Roberts Clinic&#39;s first floor functioned as the medical clinic; patients entered through the east elevation to wait in the foyer. The rear wing, with exterior access only, is thought to have originally functioned as a laundry room.</p><br>
<p>The Santo Domingo Indian Trading Post, at Domingo, New Mexico on Santo Domingo Pueblo land dates from 1922. It was listed on the National Register of Historic Places in 1998.</p><br>
<p>It is a complex of three adjoining buildings, the oldest being the northernmost which was built in 1922 and operated as a trading post until it was closed in 1995. It replaced use of an 1880-built building.</p><br>
<p>It is located at the former USA Route 66 crossing of the Atchison, Topeka and Santa Fe Railway railroad tracks at Domingo. The old Santa Fe-Albuquerque highway passed directly in front and became part of the alignment of the new Route 66 and Route 85 in 1926. The routes were realigned two miles to the east in 1932.</p><br>
<p>It is across the street from what is now the Kewa Pueblo (Rail Runner station), on Indian Service Route 88.</p><br>
<p>It was built by the Seligman family and is Mission/Spanish Revival and Southwest Vernacular in style.</p><br>
<p>The Building at 2005 Montezuma, at 2005 Montezuma Avenue in Las Vegas, New Mexico, was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is or was an L-shaped building with transitional style between Anglo-American versus Hispanic influences within New Mexico Vernacular type. A feature "generally dates to the 1870s, sometimes to the 1880s."</p><br>
<p>The building may no longer exist.</p><br>
<p>The Douglas-Sixth Street Historic District, in Las Vegas, New Mexico, is a historic district which was listed on the National Register of Historic Places in 1983. The listing included 18 contributing buildings, a contributing site, and two contributing objects.</p><br>
<p>The district is 9 acre in area and is roughly bounded by Grand St., Lincoln St., 7th St., and University Ave.</p><br>
<p>It was deemed significant as "the best example of a turn-of-the-century commercial and institutional center remaining in New Mexico. In addition to stores, offices and banks, the district housed various institutions of civic improvement, including the state&#39;s first city hall, an opera house (now demolished), a Masonic Temple and a YMCA. Its buildings retain the scale, space, and—to a large extent— the architectural quality of the district as it had developed by 1922. The buildings represent a sometimes provincial, though competent, realization of a variety of architectural styles originating in the East and California. The district contains a significant collection of buildings (at least four and perhaps as many as eight) designed by the important, though little studied, Western architects, Isaac H. Rapp and William M. Rapp. Of secondary significance, the district contains three examples of local stonecarving and, in addition, represents a typical example of railroad-era, speculative town planning."</p><br>
<p>It includes the Masonic Temple, at 514 Douglas, (see photos 5, 8, 18), a Richardsonian Romanesque structure built in 1894–95, designed by Rapp & Rapp and built by W.F. Kean during 1894–95.</p><br>
<p>R.A. Clement School is a historic school located at Cleveland, Rowan County, North Carolina.</p><br>
<p>The H-shaped brick building was built in 1929 as a Rosenwald school. Rufus Alexander Clement, born a slave in 1847, helped to get the school built along with his wife Emma. Four teachers taught African-American students Eventually, the advisory council could not keep the property, which stood empty until 2003 when the alumni association purchased it and started renovations.</p><br>
<p>It was listed on the National Register of Historic Places January 10, 2019.</p><br>
<p>The Delvic Building is a historic commercial building in Hibbing, Minnesota, United States. It was constructed in 1922 when Hibbing was a company town for a subsidiary of USA Steel, which took the unusual step of designing the commercial as well as residential sectors. In previous company towns, such as Coleraine, Minnesota, or Gary, Indiana, the controlling industry focused on employee housing and left commercial development to private entrepreneurs. The Delvic Building was listed on the National Register of Historic Places for its local significance in the themes of commerce, community planning and development, and industry. It was nominated for exemplifying the type of building constructed in Hibbing&#39;s planned downtown, and for attesting to this evolution in corporate control of community development.</p><br>
<p>When the East Howard Street Commercial Historic District was designated in 1993, the Delvic Building was listed as a contributing property.</p><br>
<p>The House at 1116 Columbia, at 1116 Columbia Avenue in Las Vegas, New Mexico, was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is a vernacular-style stuccoed wood-framed house upon a stuccoed foundation. It has a front-facing gable whose eaves include a cutout bargeboard and pendant. Based on the style it was probably built in the 1880s or early 1890s. It has an off-center porch with stick railing and frieze which was added c.1910.</p><br>
<p>It is in the easternpart of the Sulzbacher and Rosenwald Addition (see also "Building #1559" in State Survey series).</p><br>
<p>The House at 16 Grand, at 16 Grand Avenue in Las Vegas, New Mexico, was built in 1883. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It has front and rear shed-roofed porches, along the long sides of the rectangular building, and is built upon a sandstone foundation. The house was built in 1883; the porches were added and dormers were modified in the 1920s.</p><br>
<p>It forms "an interesting pair" with its next-door neighbor, the House at 12 Grand, which was almost identical but was not later remodelled.</p><br>
<p>The Lee Paper Company Mill Complex is a former factory located at 300 West Highway Street in Vicksburg, Michigan. It was listed on the National Register of Historic Places in 2016. In 2017, a mixed-use development project was announced for the property, to be renamed The Mill at Vicksburg.</p><br>
<h2>History</h2><br>
<p>The paper industry was established in the Kalamazoo River Valley in 1866, with the opening of the first paper mill in the area. The industry expanded through the valley, and by the end of the century was a major contributor to the economy of the region. In 1903 George E. Bardeen, who owned another paper mill in the area, partnered with investors Fred Lee, William Howard, and Charles Seitz to propose the establishment of a new paper mill in Vicksburg. The village supported the idea, and later the year the men incorporated the Lee Paper Company, with Frederick Lee as the major shareholder and president. The company hired Daniel J. Albertson as the engineer and architect of the firm, and the Charles A. Moses Company of Chicago to construct the mill buildings.</p><br>
<p>Construction on the mill started in 1904, and production in the new facility began in early 1905. The company struggled during its first years, but starting in 1911 hit a period of prosperity, helped along by the World War I economic boom in the later 1910s. However, an economic slowdown in the early 1920s, and the onset of the Great Depression in the 1930s, nearly ruined the company. However, better conditions in the later 1930s, and the spike in business from World War II, meant that the company could expand operations. This continued until 1959, when the Lee Paper Company merged with Simpson Timber Company to form the Simpson Lee Paper Company. More mergers followed, as the company was absorbed into the Simpson Paper Company in 1971, and then the Fox River Paper Company in 1996. The mill continued to operate until 2001.</p><br>
<p>After 2001, the mill property was purchased by a private group, the Mill of South County LLC. The first portions of the redevelopment are expected to be completed in 2022 and it is currently the site of an artist&#39;s residency.</p><br>
<h2>Description</h2><br>
<p>The Lee Paper Company Mill Complex consists of thirty separate buildings, most of them interconnected, sited on a 30 acre parcel. Fifteen of the buildings, which contain the majority of the square footage, contribute to the historic character of the site. The buildings date from 1904 to 1990, with the majority built during the original construction of the mill in 1904. The buildings range from two to five stories in height, and are mostly brick, with some concrete block and steel buildings intermingled.</p><br>
<p>The oldest of the buildings have load-bearing brick walls with low gable roofs, with slow-burning timber frame construction on the interior. The walls are of cream-colored brick, with corbelling along the roofline. The windows are large multi-light (originally double-hung 12-over-12 or 16-over-16) wood units in jack arch openings with concrete sills. Many windows have been subsequently filled in.</p><br>
<p>The Milne-Bush Ranch, on Rt. 1 in or near Roswell, New Mexico, was listed on the National Register of Historic Places in 1988. The listing included two contributing buildings. It has also been known as Ave de Paso.</p><br>
<p>The historic resources are a one-story adobe house and a two-story barn about 200 ft away. The house started as a one-room adobe homestead around 1884 and was expanded over the years, through the 1920s. It includes "a fireplace and bookshelves hand-carved by artist B.J.O. Nordfeldt who was a member of the Santa Fe art colony from 1918 to 1940.</p><br>
<p>The barn was built between 1923 and 1926 when the property was used as a hunting lodge. The barn is partly open to a corral.</p><br>
<p>The architecture is New Mexico vernacular.</p><br>
<p>The Louise Massey House, at 209 W. Alameda St. in Roswell, New Mexico, was a home of country singer Louise Massey  during 1918 to 1982. The house was built in 1928 and was listed on the National Register of Historic Places in 1985.</p><br>
<p>It was in this house in 1928 that "Louise Massey and her husband, Milt Mabie, her two brothers, Curt and Alien, were interviewed for their first professional singing job as "The Westerners" by the Red Path Chatauqua. By 1930 they had a five year contract on CBS Radio in Kansas City. Later they joined WLS National Barn Dance. By 1938 Louise Massey was a star solo singer with the</p><br>
<p>Westerners and with other shows on NBC Radio Programs in N.Y. City. Louises 1934 recording of "When the White Azaleas are Blooming" sold three million copies and earned her a lifetime recording contract with Columbia Records. In 1940 Louise and Milt bought a ranch on the Hondo River, but retained her previous residence as a second home. Louise wrote her most famous song "In My Adobe Hacienda" which was her biggest hit single recording in this house. In 1945 she retired and lived with her husband on Hondo Ranch. After Milts death in 1973 and due to failing health, Louise spent her last years in this home in Roswell and in various nursing homes. Louise died in June, 1983."</p><br>
<p>The Clemens Ranchhouse, near Magdalena, New Mexico, was built in 1910. It was listed on the National Register of Historic Places in 1979.</p><br>
<p>It was deemed "A splendid example of Railroad Era architecture in New Mexico".</p><br>
<p>It is located south of Magdalena, at the foot of Magdalena Peak, facing east towards the former mining town of Kelly.</p><br>
<p>In 1978, it served as the headquarters of a 7,000 acre cattle ranch.</p><br>
<p>The Benjamin and Maria  Drake Farm, also known as the Drake Farmstead, is a farmstead located at 927 North Drake Road in Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 2012, and as of 2021 is open to the public as the Drake Farmstead Park.</p><br>
<h2>History</h2><br>
<p>In 1830, Benjamin Drake, his wife Maria, and several of their children moved to this site from St. Clair County. The family was the first Euro-American pioneers to settle in Oshtemo Township. The family constructed a log cabin near where the present house stands and began farming. More settlers joined them, and in 1833 the constructed the area&#39;s first school on the Drake property. By 1839, there were nearly 70 new residents in the township. In about 1852 constructed a portion of what is now the current farmhouse.</p><br>
<p>In 1882, a major fire destroyed most of the house. It was reconstructed using the remaining walls, but in a substantially different form. Benjamin Drake died the next year; his wife Maria followed in 1886. Their oldest child, Jane, inherited the farm and lived in the house until her own death in 1899. Jane willed the farm jointly to her only surviving sibling, George, and their niece Elizabeth Waterman Fuller. In 1908, the farm was sold to Thomas and Mary Stewart. They continued farming, and left the property to their daughter Helen Stewart after their death. Helen Stewart sold roughly half of the property to be developed, and after her death willed much of the remaining property to Western Michigan University, with a small section including the house, and farm buildings going to Kalamazoo College.</p><br>
<p>Western Michigan and Kalamazoo College sold the land to developers. In 2004, the Drake farmhouse was slated for demolition. However, Oshtemo Township purchased the house, carriage barn, and surrounding property, intending to create a public park. By 2017, additional property was added, and the house was also substantially restored. In 2021, the township opened the Drake Farmstead Park.</p><br>
<h2>Description</h2><br>
<p>The Drake Farmstead consists of a 2-1/2 story, brick farmhouse, a 1-1/2 story frame carriage barn, and the remains of a larger barn located in a large yard with a long, tree-lined entry drive. The house itself reflects three periods of construction: the original design, the 1882 reconstruction, and later, twentieth century renovations. The present house is an upright and wing design, constructed of brick with a fieldstone foundation and a steeply pitched gable roof covered with asphalt shingles. An addition extends to the rear. The style of the house is suggestive of the Late Victorian period when it was reconstructed. The windows are double-hung, wood, six-over-six sash units with stone lintels and sills. The upright section contains a formal double-door entry framed by a slightly projecting square-plan columns and a projecting gable. A second entry is in the wing section, sheltered by a single-story shed-roofed porch with square columns.</p><br>
<p>The carriage house, located off one corner of the farmhouse, was likely constructed in the 1920s or 1930s. It is a 1-1/2 story frame structure, measuring roughly fifty feet by twenty-five feet, and is covered with vertical wood siding. It has a gable roof covered in asphalt shingles. Near the carriage bhouse is a cast concrete livestock watering trough and the concrete and stone foundation remains of former barns.</p><br>
<p>Fitch Hall, at the New Mexico Institute of Mining and Technology in Socorro, New Mexico, was built in 1937. It was listed on the National Register of Historic Places in 1989.</p><br>
<p>It is a dormitory built of stuccoed masonry. It is rectangular with, projecting from the front, a one-story entry porch that has a flat roof and arched openings. It is California Mission Revival in style. It has curvilinear gables at the buildings&#39; sides. Its roof is covered with mission tile.</p><br>
<p>It was designed by architects Brittelle & Ginner Brittelle and Ginner</p><br>
<p>Architecture: Mission/Spanish Revival architecture, California Mission Revival architecture</p><br>
<p>It was built to serve as a dormitory and was still being used as such in 1987. It now houses the offices of the institute&#39;s Department of Communication, Liberal Arts, and Social Sciences as well as the Writing and Communication Lab.</p><br>
<p>President&#39;s House, in Albuquerque, New Mexico on the University of New Mexico campus at the northeast corner of Roma Ave. and Yale Blvd., was built in 1930. It is now known as University House. It was designed by architect Miles Brittelle in Spanish Pueblo Revival style. It was listed on the New Mexico State Register of Cultural Properties and the National Register of Historic Places in 1988.</p><br>
<h2>History</h2><br>
<p>The President&#39;s house is an adobe residence in the Spanish Pueblo Revival style. It has vertical metal casement windows with Watson wood lintels and exposed vigas in the second-story. It has a rustic second-story balcony formed by vigas and supported by a log beam and posts. This building has had several additions since its original construction in 1930. All additions were in the Pueblo style and uphold the integrity of the original building. The building was designed by Miles Brittelle and built in 1930. John Gaw Meem designed an addition to the house in 1952. The building has a shape that resembles multiple squares and rectangles.</p><br>
<p>The Presidents House is one of six buildings on the campus of the University of New Mexico included in this nomination. The Presidents House is significant because it is an excellent example of residential Spanish Pueblo Revival style architecture. The architectural quality was considered so good that the building was used as a representative example of Spanish Pueblo Revival Style architecture in a major survey of American building styles. John Gaw Meem designed an addition to the house in 1952. Although there has been various additions and renovations to the building, all additions have been true to the style and architectural integrity of the original building.</p><br>
<p>The Sparks-Anderson House is a single-family home located at 7653 West Main Street in Oshtemo Township, Michigan, near Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 2014.</p><br>
<h2>History</h2><br>
<p>Alfred Wilcox purchased the property where this house is located in 1835, selling it the next year to Henry Sparks. Sparks began farming a portion of the property, and in 1842 sold this section to his brother Asa. Asa Sparks likely lived with his brother while starting his own farm, and in about 1852 constructed this farmhouse. Asa Sparks sold the farm to Addison Sill in 1866. It was resold to Silas N. Brownell in 1867, then to George Montgomery in 1876, and finally to Edward Anderson in 1884. Anderson passed the farm to his daughter, Lillian, who deeded roughly about 100 acres to Kalamazoo College in 1982 and sold about 5 acres to Warren L. and Nella Langeland in 1992. As of 2014, Kalamazoo College owns the house, with the neighboring former farmland now used as the Lillian Anderson Arboretum.</p><br>
<h2>Description</h2><br>
<p>The Sparks-Anderson House is a wood-framed Greek Revival Upright and Wing house, consisting of a two-story upright and a single-story, side-gable wing. A shed-roofed porch fronts the wing, sheltering three entry doors. A similar single-story wing, constructed in 1977, is attached to the rear of the house. The house is covered with wooden siding, and sits on a stone foundation. The front facade of the upright contains two windows on the first floor and two more on the second. The windows are over six sash units with shutters. A frieze-band window is located above in the gable. Three more frieze-band windows are located on the side facades, and two more large windows are located below on the exposed side. The wing contains two more windows, located between the three entry doors.</p><br>
<p>The James G. Eddy House and Grounds is a historic property in Medina, Washington. The two-story mansion was built in 1925 for James Garfield Eddy. It has been listed on the National Register of Historic Places since February 19, 1982. THE COLONIAL Revival home hugging the bluff is half hidden from Lake Washington by a landscape that has been developing for nearly 90 years. When James Garfield Eddy and his family moved into their Medina house in 1918, the Great War had just ended and Seattle, along with the rest of the country, was trying to get back to normal. Twenty-two years before the first bridge crossed Lake Washington, Eddy commuted to Seattle by boat from his Lake Washington dock to the foot of Madison Street and then by streetcar into town. But it was worth the commute.</p><br>
<p>His five-acre estate, formerly apple orchards, was shaped into gardens framed by evergreens. It was an appropriate setting for a man whose family had gained from the sale of timber and sought to preserve that richness for future generations through tree breeding.</p><br>
<p>As was the case with several of Seattle&#39;s pioneering lumbermen, the Eddy family had left Maine for Michigan for the Pacific Northwest as the great East Coast and Midwest forests were depleted to build American towns and cities. In 1903, James and his brother John partnered with David Skinner to purchase the Port Blakely Mill Co. on Bainbridge Island. James realized that in order to benefit from trees, you needed to replenish them. He became one of the first tree breeders in the country.</p><br>
<p>In 1918, he consulted with Luther Burbank about producing better forest trees through breeding experiments and joined him at his California nursery to explore the potential. These early experiments led to the establishment of the Eddy Tree Breeding Station in 1925. It was renamed the Institute of Forest Genetics in 1932. By 1931, the institute had become the most complete arboretum of pines in the world. Eddy funded the station until it was turned over to the USA Forest Service in 1935.</p><br>
<p>Eddys home recalled the New England traditional architecture that was part of his familys geographic roots. Built by Howard S. Wright Sr., the 10-bedroom house wraps around the driveway in an unpretentious manner that downplays its size. The modest entrance is framed with nonsymmetrical wings that bend slightly (coincidentally creating some quirky angular bathrooms and storage areas inside). Its interiors, while spacious and well-proportioned, are also understated, with low ceilings throughout. There is no fancy woodwork or decorative molding, only first-growth fir paneling in the stair hall and quarter-sawn oak floors. This and the 8-foot ceiling heights reinforce the early New England Colonial ambiance.</p><br>
<p>Yet the house is designed for entertaining and also for maximum light and ventilation. Its principal rooms are oriented toward Lake Washington and are spacious, despite those low ceilings. French doors open on hinges to connect living and dining room to outdoor living areas. Two large skylit bays, one in the informal kitchen/dining area, one in the den/family room on the other side of the house, turn these rooms into solaria. Previous owners opened up the original kitchen with rough-cut timber and beams but complementary fir cabinetry.</p><br>
<p>Otto Holmdahl laid out the grounds and pathways. At the time, he was one of only a few landscape designers practicing in the Puget Sound area. His interest in native plant materials and regional landscape made the landscape designer and his client the perfect match. He also took pleasure in forming concrete aggregate into steps and walkways — a style he repeated in his work at Woodland Park and the Loveless Studio Building courtyard later in his career.</p><br>
<p>The Captain Michael Cooney House, at 309 McCutcheon Ave. in Socorro, New Mexico, was built in 1889. It was listed on the National Register of Historic Places in 1991.</p><br>
<p>It is a one-story red brick house. It has a front-facing gable and intersecting side gables, with a wooden entry porch in the ell between the front and east-facing wings. The porch has three chamfered posts and four-square posts with a balustrade of turned balusters.</p><br>
<p>A Sanborn fire insurance map recorded that the house, as of 1893, had a wood-shingled roof. By 1982, the roof was asphalt shingled.</p><br>
<p>The property, with house included, was bought for $700 by Michael Cooney in 1895. Michael Cooney had come "to the Socorro area in 1880 to take over the raining interests of his younger brother, James C. Cooney. In 1870, while stationed at Fort Bayard, the younger Cooney had discovered silver and copper ore in the Mogollon Mountains. Having been discharged from the military, he returned in 1876 to work his claim and continue prospecting. He organized the Cooney Mining District and the town of Cooney. Four years later James Cooney was killed by Apache Indians."</p><br>
<p>The Eric and Margaret Ann  Brown House is a single-family home located at 2806 Taliesin Drive in Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 2016. It is perhaps one of the best preserved Usonian houses designed by Frank Lloyd Wright.</p><br>
<h2>History</h2><br>
<p>Eric Brown was born in Royal Oak, Michigan, in 1914, graduated from Wayne State University, and received a law degree from the University of Michigan in 1937. He married Margaret Ann Davis in 1939. She was born in Plainwell, Michigan in 1913, and. She graduated from Carleton College in 1935. The couple lived in Grand Rapids for a few years, then moved to Kalamazoo in 1941. After a few years, Eric Brown started his own law firm. In 1946, the Browns and five other families established the Parkwyn Village Association, with the intention of constructing a "congenial housing community" where they could raise their families. The association contacted Frank Lloyd Wright about designing homes for the planned community.</p><br>
<p>Construction began on the Brown&#39;s home in 1950, and the family moved in in 1951. The couple lived in the house until 2002, when health issued forced them to move, Eric Brown died later that year, and Margaret followed in 2006. In 2002, the Browns sold the home to Kathryn and Curtis Curtis-Smith. Peter and Janet Copeland purchased the Brown House in 2012.</p><br>
<h2>Description</h2><br>
<p>The Brown House is a single-story, rectangular Usonian house with a slightly pitched, cantilevered roof. The house measures 130 feet long and 18 to 32 feet wide (40x4,5-10 m), measuring approximately 2,684 square feet (250 m2) of living space. It is set well back from the street on a mostly wooded, one acre lot. The house is built with concrete blocks and set into a sloping hillside, so that the house has a very low appearance from the street (the uphill side). The low, street-facing facade contains a row of clerestory windows running the length of the house which sit only about twelve inches off the ground. The opposite facade overlooks Lorenz Lake, and contains large windows and doors along most of its length. A walled patio also runs along the facade.</p><br>
<p>The Original Townsite Historic District in Raton, New Mexico is a historic district which was listed on the National Register of Historic Places in 2008.</p><br>
<p>The district is a 120 acre roughly bounded by Clark & Cimmaron Avenues, S. 2nd & S. 7th Streets within Raton, a town that was platted in 1880. The district included 360 contributing buildings, a contributing structure, and a contributing structure.</p><br>
<p>It includes works by architects William M. Rapp & Isaac H. Rapp.</p><br>
<p>It includes:</p><br>
<p>the George Pace House (1907), South Fifth Street, designed by George C. Burnett</p><br>
<p>The El Raton Theater, at 115 N. Second St. in Raton, New Mexico, is a theatre built in 1930. It was listed on the National Register of Historic Places in 2007.</p><br>
<p>It was designed by architect George H. Williamson with elements of Late Gothic Revival style that suggest a Late Gothic Revival-style castle. It is a two-story brick building with a crenellated parapet and small towers.</p><br>
<p>The Fountain of the Pioneers was a decorative fountain formerly located in Bronson Park  in Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 2016. The statue was subsequently removed from the National Register of Historic Places in 2019.</p><br>
<h2>History</h2><br>
<p>What is now Bronson Park encompasses squares of land set aside by Kalamazoos founder, Titus Bronson. The land was officially dedicated as a public park in 1864, and over the next few decades trees, plantings, and sculptures were added, as well as two or three fountains in the parks center. The last of these fountains was a silo-esque 1927 "McColl" fountain. Public sentiment found the design of this fountain unappealing, and in 1936 a contest was held to design a replacement. The contest was won by Marcelline Gougler, a twenty-four-year-old University of Illinois art teacher who studied with Alfonso Iannelli. When the city requested some modifications to Gougler&#39;s design, Iannelli was invited to assist. Ianelli provided multiple ideas, and by 1937, the city contracted with him to provide a finished design for the fountain and surrounding area. Iannelli and the city worked on multiple designs through 1938, and by 1939 demolition of the old McColl fountain had begun. Construction on the new fountain designed by Iannelli was completed in 1940, and it was dedicated on June 6 of that year.</p><br>
<p>Although the fountain drew critical acclaim from Frank Lloyd Wright and Bruce Goff, among others, the theme of the fountain later began to draw criticism. While the fountain was being constructed, Iannelli had said,</p><br>
<p>Beginning in the 1990s, there were multiple calls for its removal, with debate over the work&#39;s meaning and value. Some believed it should be removed because it was racist and memorializing genocide, others believed it should stay because it depicted actual history that should not be forgotten. In addition, over the years the fountain was deteriorating, and by 2018 was in need of restoration. At the same time, controversy generally over potentially racist public monuments came to a head. The city decided to remove the fountain in April 2018.</p><br>
<h2>Description</h2><br>
<p>The Fountain of the Pioneers contained three major elements: two are long, shallow pools, lying end-to-end, and a fountain sculpture located at one end of one pool. The pools are roughly rectangular, but pointed at opposite ends. The one which contained the sculpture is 135 feet long, 44 feet wide, and 24 inches deep. The second pool is spaced 66 feet away, and measures 119 feet in length, with the same height and width. The fountain was an elongated hexagonal box approximately 32 feet long by 16 feet wide by 8 feet high within the longer pool. The box contained the plumbing and lighting elements, as well as the sculpture. This sculptural feature was an obelisk roughly 18 feet tall, depicting a Pioneer and Indian figures at one end. These figures were depicted with strong lines and reduced detail, tightly linked, with the Indian figure placed lower than the Pioneer.</p><br>
<p>The Main Library is a public library in Downtown Albuquerque, New Mexico and the main branch of the Albuquerque Bernalillo County Library system. Opened in 1975, it was designed by local architect George Pearl and listed on the National Register of Historic Places in 2019. The library is a concrete-framed Brutalist structure designed to maximize the flexibility of the interior space with a modular layout and movable partitions. Pearl considered it one of his "three or four most important" designs. In 2020, the building was designated an Albuquerque historic landmark.</p><br>
<h2>History</h2><br>
<p>The Albuquerque Public Library was established in 1901 and moved into its first permanent facility, the Old Main Library, in 1925. By the 1970s, city officials had determined that a new library was needed, and bonds were issued in 1971. The building was part of a 1970 comprehensive plan for urban renewal in Downtown Albuquerque, which involved razing a large section of the city center to make room for a variety of large public projects. The plan was not fully implemented but many of the key elements, including the library, Civic Plaza, City Hall, the Police Department headquarters, and the Convention Center, were ultimately completed. In 1972, the city commissioned the firm of Stevens, Mallory, Pearl and Campbell to design the new library. The lead architect was George Clayton Pearl (c. 1924–2003), who had a long career in New Mexico and for whom the University of New Mexico School of Architecture and Planning building is named. The Main Library opened in 1975.</p><br>
<p>Controversy involving the Main Library arose in 1999 when the city decided to have a group of high school students paint a mural on the east side of the building. This sparked public outcry at the possibility that the architecturally significant building would be damaged, with some of the most vocal opposition coming from Pearl himself. Eventually a compromise was reached which involved painting the mural on removable panels. The artwork was removed in 2005.</p><br>
<p>The library received a $1.8 million renovation in 2006 which included the addition of a new glass atrium and lobby, a coffee shop, and an expansion of the used book shop on the lower level. The space that was developed for a coffee shop in 2006, the ABQ Coffee Connection, officially opened on May 3, 2010. In 2013, the restaurant Al&#39;s Other Half replaced the former coffee shop.</p><br>
<h2>Architecture</h2><br>
<p>The Main Library is a flat-roofed, concrete-framed building with two above-grade levels and one below-grade level. Stylistically, it fits into the Brutalist movement, which emphasizes bold, monumental forms and raw surfaces, while also drawing inspiration from the traditional adobe architecture of the Southwest. According to Pearl, the building had "regional influences—but not archaeological ones" as the traditional Pueblo and Territorial styles were "no longer socially relevant". The exterior walls are clad in brown brick, with a series of cantilevered projections on the upper floor. Large windows on the ground floor, protected from direct sunlight by the overhangs above, allow the building to engage passersby at street level, while glass is used only sparingly on the upper level. The lower level has three sunken courtyards at the corners of the building, one of which was later partially enclosed with glass to form an atrium.</p><br>
<p>After visiting a variety of other libraries around the country, Pearl concluded that many of the facilities were hindered by a rigid use of space which made it difficult to adapt to changing needs. With this in mind, his design for the Main Library prioritized flexibility above all else. All fixed elements, like heating and cooling equipment, restrooms, and stairwells, were segregated in projecting wings around the periphery of the building, while the main rectangular volume of each floor was completely open except for concrete structural columns spaced 36 ft on center. The space is divided into 9 ft-square modules, each with its own lighting, ventilation, and electrical, telephone, and video connections, allowing each floor to be freely subdivided using sliding partitions.</p><br>
<p>The ground floor is mostly open space housing stacks, computers, and reading areas, with offices, meeting rooms, and the circulation desk located around the perimeter. The second floor is divided between public stack areas and administrative space including offices, mechanical equipment, and a staff lounge, while the lower level houses a meeting room, auditorium, children&#39;s area, and book storage. The interior is finished with exposed brick, wood-paneled partitions, and carpeted floors, and has many original furnishings.</p><br>
<p>The Kalamazoo Federal Building and USA Courthouse is a federal building and former post office located at 410 W. Michigan Avenue in Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 2017.</p><br>
<h2>History</h2><br>
<p>Construction on Kalamazoo&#39;s downtown post office began in the 1930s as part of the New Deal program. The building was designed as a collaboration among Supervising Architect of the Treasury Louis Simon, Kalamazoo architects Rockwell Leroy and Manuel M. Newlander, and George D. Mason and Company of Detroit. Construction was completed in 1939. The building was used as a post office until 1959, when the main post office moved to a new facility on Miller Road. Between 1962 and 1963, the building was renovated to house court and federal office space. As of 2019, it continues to house federal offices, including the USA District Court, as well as USA Bankruptcy Court, Probation, Pre-trial Services, and Marshals Service.</p><br>
<h2>Description</h2><br>
<p>The Kalamazoo Federal Building is an Art Moderne building constructed of reinforced concrete, with the primary facades clad in Kasota limestone. The Michigan Avenue facade has two primary entrances, one at each end, that incorporate Art Deco metalwork. Between are tall windows separated by fluted piers, giving a vertical component to the strongly horizontal structure of the building.</p><br>
<p>The Aztec Motor Company Building, at 301 S. Main in Aztec, New Mexico, was built around 1906. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It was built with common bond brick walls upon a stone foundation. It is the only intact one-story commercial building in business district of Aztec which was built "in the local Decorative Brick style, a type which once accounted for half a dozen buildings on Main Street. Built about 1906, it first served as a feed store, with a livery stable attached to the south. In the 1920s, as often happened, it was converted to a car dealership. Floyd Rhodes has continued to operate this Chrysler-Plymouth dealership since the 1930s."</p><br>
<p>In 1984, the building had a painted sign on its side, stating "Aztec Motor Co General Repair.", and, also on the side of the building, a projecting sign with "Aztec Motor Co."</p><br>
<p>The Ernesto Memorial Chapel, also known as the Iglesia de Piedra  and the Iglesia Metodista de Piedra  is located in Abra Honda, a rural barrio in Camuy, Puerto Rico. After the Kiplinger family lost their 21-year-old son, Ernesto, they donated money for the building of the church.</p><br>
<p>The unique, stone chapel was designed by architect Albert Munson in a Craftsman style. The church took five years to build and was completed in 1912. The chapel measures about eighty square meters and has a pitched, wooden roof. Its most striking element is that it&#39;s made of limestone stones, and built by hand.</p><br>
<p>Except for around the windows, the mortar used as an adhesive between the stones is practically imperceptible, creating the impression that the stones are supported by their own geometric tie and weight. The building lacks a foundation. The main facade of the building is dominated by an impressive portico on which the belfry is supported. It houses the original bell of 1912. The property was added to the National Register of Historic Places on July 8, 2010.</p><br>
<p>The Florence and John R. Pond House, at 1875 NM 170 in La Plata, New Mexico, was built in 1890. It was listed on the National Register of Historic Places in 2013.</p><br>
<p>It was deemed significant "for its connection to the community of La Plata and the La Plata River valley road, the main transportation route connecting northwestern New Mexico with southwestern Colorado during the late 19th century. Florence and John R. Pond were among the earliest Euro-American settlers in the La Plata valley, arriving in 1877. John R. Pond became the first postmaster of La Plata, and the site upon which the house was built served as the community&#39;s first post office. vi The house was a stage stop and supported a smithy along the road connecting Farmington and Aztec with old Fort Lewis and Durango. At its height, La Plata was one of the largest communities in San Juan County but its importance had declined by the time the Pond family left in 1902. The house stands as testimony to a time when the La Plata River valley played a vital role in the development of the region. The building is architecturally significant as an excellent local example of the Georgian Revival style and remains as the oldest stone masonry house constructed by Euro-Americans in San Juan County."</p><br>
<p>The McGee House in Aztec, New Mexico, at 501 Sabena St., was built in 1917. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is a two-story home with a concrete first floor upon a concrete foundation, and frame above. In 1984 it was written that the house "was begun in 1917 by James McGee and occupied in 1923, but as his son, Cecil, who continues to live here today, is fond of pointing out, "we haven&#39;t finished it yet." As an owner-built house, it is an approximation of something else, in this case the T. A. Pierce Mansion erected in the Church Avenue district in 1907. The cubic massing with the hipped roof and dormer, and the two wall surfaces, light below and dark shingles above, are drawn from the model. But where the Pierce House had a clapboard first floor, the McGees substitute concrete walls which were poured in place along with the full basement. The contemplated full front porch was also sacrificed when the balustrade purchased for the purpose was adapted for the central staircase."</p><br>
<p>The listing included the house, barn, and landscaped area of the original homestead, but not the rest of the farm.</p><br>
<p>The Bluewater Lookout Complex, in Otero County, New Mexico near Weed, New Mexico was established in 1937. It was listed on the National Register of Historic Places in 1988. The listing included a contributing structure and two contributing buildings.</p><br>
<p>It consists of a 45 ft fire lookout tower and associated buildings in Lincoln National Forest in Otero County, New Mexico. The tower has a 7x7 ft steel cab and is either an Aermotor LX-E4 model or an International Derrick Company tower. The two buildings are a wood-frame cabin and a storage shed, built in 1937.</p><br>
<p>It seems that the tower was built in 1917 for the United States Weather Bureau and was purchased and moved to its current site by the Forest Service in 1937.</p><br>
<p>The complex was added to the National Register of Historic Places on January 28, 1988, as part of a thematic group of United States Forest Service fire lookouts in the forest service&#39;s Southwestern Region.</p><br>
<p>The Davenport Motor Row and Industrial Historic District or Pete Stopulos Row is a nationally recognized historic district located on the eastern edge of downtown Davenport, Iowa, United States. It was listed on the National Register of Historic Places in 2019.</p><br>
<h2>History</h2><br>
<p>At the time of its nomination it consisted of 28 resources, which included 21 contributing buildings, one contributing site, one contributing structure, and five non-contributing buildings. The area was previously a part of the notorious Bucktown, a district of saloons, beer gardens, brothels, billiard parlors, gambling establishments, and theaters. Davenport licensed prostitution in 1893, gambling in 1904, and failed to enforce Iowa prohibition laws during this period.</p><br>
<p>The district can be divided into two sections based on building usage. On the south side between River Drive and East Second Street are the manufacturing, jobbing, and warehousing buildings. The location of the Chicago, Milwaukee, St. Paul and Pacific rail siding was in the alley, now known as Emerson Place. The alley is the contributing site. To the north between East Second and Third Streets is the location for the automobile industry buildings. These include gas and service stations, auto dealerships, tire and auto parts service and stores, an implement dealership, and a taxi company garage. The elevated rail bridge at East Third and Iowa Streets is the contributing structure. Hose Station No. 1 (1877), which housed automotive uses on its first floor from the 1930s to the 1950s, and the Davenport Bag and Paper Company Building (1907) are individually listed on the National Register of Historic Places. A block north of this historic district is the Crescent Warehouse Historic District, another former light industrial area. The Davenport Downtown Commercial Historic District, a larger commercial district, is immediately to the west.</p><br>
<p>The Building at 202 Park Avenue, in Aztec, New Mexico, was listed on the National Register of Historic Places in 1985.</p><br>
<p>It has brick walls and is built upon an ashlar stone foundation. It has a gable frieze board with shiplap and wood shingles above, and a cut-out and chamfered bargeboard and stickwork.</p><br>
<p>It was deemed significant in 1985 as follows: "While most of the residences built in the original town site before the arrival of the railroad stood on Church and Mesa Verde Avenues, east of the commercial area on Main Street, a few were built to the west, on Park Avenue. While most of these have been remodeled, the house at 202 Park retains its original appearance. It is a condensed version of the one-and-a-half story simplified Anne type which accounts for half a dozen houses in the proposed residential district (ill. 12). The Park Avenue house is one room deep rather than two, and shiplap is substituted for the half timbering in the gables of the larger examples. Details such as the projecting brick sills and segmental arches and the chamfered and cut-out bargeboard and stickwork, nevertheless, make it a pleasing, if modest, house."</p><br>
<p>The Building at 500 White Avenue, in Aztec, New Mexico, was built in 1908. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is a clapboarded wood-frame house built upon a stone foundation. It has modest elements of Queen Anne style in its decorative wood shingles (alternating in pointed and hexagonal shapes) and its lathe-turned narrow porch columns with cutout brackets. It has a "wood shingled window bay is yet another attempt to add variety and distinction with</p><br>
<p>limited means."</p><br>
<p>The Engleman-Thomas Building, at 200 S. Main in Aztec, New Mexico, was built in 1906. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It is a brick-walled building with brick sills and segmental arches, and with "corbelled and zipperbrick cornice." Its interior includes a row of chamfered wooden posts with wooden corbel capitals running down the middle of the open first floor.</p><br>
<p>Its significance in 1985 was assessed as follows: "Built in 1906, this commercial building typifies the often modest construction which accompanied the city&#39;s railroad boom. Built of local brick, its ornamentation is concentrated in its Decorative Brick style cornices—a zipperbrick and dentil cornice on the front and a corbeled cornice stepping down along the side. The original owner, N. M. Engleman, and later J. M. Thomas operated dry goods stores on the ground floor. Short-term lodgings and an office occupy the second floor. Indian motifs are painted on window shades behind the facade transoms. These are the result of a suggestion in the 1960s by an Albuquerque planning consultant that the community cater to tourists visiting the Aztec Ruins National Monument by adopting an Indian theme. The fan tile in the sidewalk corners (visible in ills. 9) are also a result of this ill-fated notion."</p><br>
<p>It has also been known as Old Post Office.</p><br>
<p>The Yale High School Gymnasium is a historic building located in Yale, Iowa, United States. Completed in 1932, it was the first round gymnasium built in the state of Iowa. It was designed by Halver R. Straight, a mechanical engineer whose primary work was in the ceramics industry with the construction of silos, and this building is similarly constructed with clay tiles. The interior building features a small court that measures 65 by, a stage, and bleachers. Its design was impractical as the court was adjacent with the block walls. The building was listed on the National Register of Historic Places in 2018.</p><br>
